Description
This stunning new collection draws together poems written by Earl Lovelace in his early career. Lovelace has an acute sense of poetry’s rhythms, and a real poet’s capacity to produce stunning visual/aural images.
Poetry was the mission at the beginning of Earl Lovelace’s writing life until the frustrations of poetry publishing in Trinidad and the possibility of developing a more sustainable literary career opened the way to fiction. In the poems one can see a movement away from Standard English to the beginnings of writing in “native language” and a lyric sensibility that finds its way into his later novels. In the work of the young Earl Lovelace there is an approach to modernity, history, social inequality, politics and cultural suppression which is realised within the firmly held perception that independence has to be about far more than changing flags, that decolonisation involves a radical reordering of a Eurocentric colonial society and the embrace of the submerged culture of the Afro-Trinidadian folk. If the mature Lovelace now sees that some of the attitudes – for instance to Trinidad and Tobago’s trans-cultural realities – require greater complexity, the recovery of these poems out of the archive offer a privileged insight into the development of one of the Caribbean’s most significant writers – and the pleasures of their intrinsic musicality and vision.
Edited by Mario Laarmann, the poems are sourced from archived materials at the University of the West Indies. The collection is further enriched by a captivating appendix featuring images of the original, annotated manuscripts.
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